top of page

KARSTEN STIER

Oil Paintings On Contemporary Society

Oil Paintings on Contemporary Society. By Lloyd Turner.

Available Oil Paintings For Sale

(Click On Any Thumbnail For A Larger View & Its Art Statement)

link to "available Artworks" by Karsten Stier
Metaphor For A Metaphor. An exploration of consciousness By Lloyd Turner.
Tom Girl. By Peter Turner.
The Playground. By Peter Turner.
 Sparrows In Dawn. By Peter Turner.
Park Bench. By Peter Turner.
Seagull in 3D. By Peter Turner.
social-commentary-01

The Playground

Metaphor For  A Metaphor

Tom Girl 

Sparrows In Dawn 

Park Bench

Seagull In 3D

Below Are Some Of My Oil Paintings Held In Private Collections Worldwide

Rush Hour. By Peter Turner.
Wet Dreams. By Peter Turner.
The Love Affair. By Peter Turner.
 Shark Biscuits. By Peter Turner.
2000 Years Later And Still The Same. By Peter Turner.
social commentary 02

Rush Hour

Wet Dreams

2000 Years Later And Still The Same

The Love Affair

Shark Biscuits

Welcome To The 21st Century. By Peter Turner.
Retail Therapy. By Peter Turner.
Dinner At The Salvo's. By Peter Turner.
The Outsiders. By Peter Turner.
Come On In. By Peter Turner.
social commentary 03

          Down The Drain,        Welcome
To The 21st Century

    Retail Therapy    (Shop Till You Drop)

Dinner At The Salvo's

The Outsiders

Come On In

No, It's Mine. By Peter Turner.

No!! It's Mine!

In Your Wildest Dreams. By Peter Turner.

In Your Wildest Dreams

One Last Drag Before I Quit. By Peter Turner.

One Last Drag Before I Quit (Again)

Fallen Angel. By Peter Turner.

Fallen Angel

Shadow Of His Former Self. By Peter Turner.

Shadow Of His Former Self

After The Party. By Peter Turner.

After The Party

feminine 01
The Sound Of Childhood Laughter In The Wind. By Peter Turner.

The Sound Of Childhood Laughter In The Wind

Shoreline In 'D' Minor. By Peter Turner.

Shoreline In 'D' Minor

Where's The Action. By Peter Turner.
Burning Desire number 1. By Peter Turner.
Burning Desire number 2. By Peter Turner.
The New Dress. By Peter Turner.
Venus de Bitch. By Peter Turner.

Where's The Action?

Burning Desire 01

Burning Desire 02

The New Dress

Venus de Bitch!

feminine 02
Nude In A Pool. By Peter Turner.
A Woman Never Tells. By Peter Turner.
Caught In The Act. By Peter Turner.
Sun Lover. By Peter Turner.
The Many Facets Of A Woman. By Peter Turner.
birds nature

Nude In A Pool

A Woman Never Tells

Caught In The Act

Sun Lover

The Many Facets Of A Woman

Blue Nude. By Peter Turner.
Common Blackbird number 1. By Peter Turner.
Common Blackbird number 2. By Peter Turner.
Bird Songs. By Peter Turner.
The Adventures Of A Seagull. By Peter Turner.
birds landscape

Blue Nude

Common Blackbird 01

Common Blackbird 02

Bird Songs

The Adventures Of A Seagull

Finches On Parade. By Peter Turner.
Windbreak. By Peter Turner.
Back Country. By Peter Turner.
health fitness wellbeing

Finches On Parade

Windbreak

Back Country

Cycling Effect. By Peter Turner.

Cycling Effect

Rendezvous. By Peter Turner.

Rendezvous

********************************************************************************************

Tom Girl

Tom Girl
Oil Paint on Stretched Canvas
76cm x 102cm

$​10,000 AUD
+ shipping and insurance
__________________


Based on my personal experience working in the the Fashion Industry, and the women that inhabit it.

I have painted this person with an abstract feel to represent the different types of back-stories that each fashion model has. The dark background is meant to represent the hidden part of their personality, merging in with the person that we all see.

___________________
  The 'Look-back' Pose. Tom-Girl, a play on the phrase Tom-Boy. A fashion model who rose from streetwise prostitution, and pulled herself out of the gutter to become a successful model. Gone is the woman who once lived a life dictated by survival. In her place is a woman who knows her worth, who commands respect, and who unapologetically takes control of her own destiny. No longer a prostitute, she now stands as proof - that you can achieve anything you want if you really want it.  
 
She’s not the easy mark you think she is....

A fashion model looking back, her skin tones symbolizing diverse characters. Oil Painting by Peter Turner.
The Playground
Children playing at an abandoned farm, pulling clouds from the sky. A realistic Oil Painting by Peter Turner.

The Playground

Oil Paint on Stretched Canvas

122cm x 107cm

 

$16,000 AUD

+ Shipping and Insurance

___________________

    When children play, their imagination knows no bounds. Especially on a rainy day when there’s nothing else to do. Their creativity thrives. There's something magical about those moments. Their dreams are unrestrained and pure. Guided only by the heart's desire to explore and create. Wistful dreams fill the air, and every simple object holds the potential for adventure. There's no limits, no rules. Just endless possibilities.

 

But as we grow older we trade the wild, untamed imagination of our youth for the predictable patterns of adulthood. Social media, mobile phones, and other electronic devices begin doing the imagining for us. Offering endless distractions and feeding us pre-packaged concepts of what life should look like.

​

This painting reflects that loss.

sparrows
Birds mirroring human dialogue on dark branches at pink dawn. A Semi-Realistic Oil Painting by Peter Turner.

Sparrows In Dawn

Oil Paint on Stretched Canvas

129cm x 94cm

 

$15,000 AUD

+ shipping and insurance

​___________________

    I have painted these Sparrows to represent the general population of our society and their homogeneous integration with each other. Despite Sparrows' individual differences, they all look the same. We too coexist, bound by shared human experiences. We all try to be different, seeking to carve our unique path. Yet at our core, we too are all the same. Some of us are optimistic, others are pessimistic, and some are simply indifferent....

​

park bench
A park bench among dark trees, with a botanical garden in the background. A Realistic Oil Painting by Peter Turner.

Park Bench

Oil Paint on Stretched Canvas

122cm x 76cm

 

$10,000 AUD

+ shipping and insurance

___________________

    
    The park bench, a humble fixture in these spaces, symbolises this idea of pause. It’s an object we really never notice until we need it. We pass by, absorbed in our own thoughts and agendas. Until we're tired, and the need to rest becomes undeniable. The park bench becomes a temporary refuge, a spot where we can stop and take a breath, before moving on to the next stage of our journey. Wherever that might be.

Metaphor
A blue orb attempting to fit inside a reversed optical illusion box. A Realistic Oil Painting by Peter Turner.

Metaphor For A Metaphor

Oil Paint on Stretched Canvas

129cm x 88cm

 

$15,000 AUD

+ shipping and insurance

__________________

This painting is its actual shape that you see.

___________________

   In this painting I have intentionally painted the top of the box to face the opposite direction of the bottom, with no clear indication of the transition between the two. Symbolising the constant tension and disconnect between our subconscious and conscious minds.

​

At the centre of the painting a sphere hovers, representing our conscious mind. Like a round ball in a square box. Illogically trying to fit into a space it can't fully occupy. It questions the nature of our grip on reality, prompting us to ask: Is it all really real what we see? How much of what we experience is shaped by our subconscious, and how much is authentic, out here, in our existence?

 

Where do we, each one of us, fit into all this? This painting challenges us to reflect on our own place in the tangled web of mind and perception.

seagull min
A white seagull navigating a minimalist 3D illusion of sea and sand. An Oil Painting by Peter Turner.

Seagull In 3D

Oil Paint on Stretched Canvas

172cm x 92cm

 

​$15,000 AUD

+ shipping and insurance 

___________________

This painting is its actual shape that you see.

___________________

    This canvas is designed to give the impression that the painting is leaning backwards, like a three-dimensional object. It plays with our perception of reality. Thus inviting the viewer to question the boundaries between form and space. The minimalist depiction of the Seagull above and its shadow below strips reality down to its barest essence. Reducing nature to its most fundamental shapes.
 

The Seagull, a familiar figure of the natural world, is rendered with precision yet abstraction, mirroring the way our view of the natural world is often shaped by contrast and perception.
 

This work is not just about what is seen but also about how we see it.

2000 yrs
A surreal collage of human faces seeking personal connection. A Realistic Oil Painting by Peter Turner.

2000 Years Later And Still The Same

Oil Paint on Stretched Canvas

137cm x 122cm

 

    

From the privileged elite to the outcast, from boardrooms to back alleys, the same dynamics persist — bargaining, gossiping, arguing, demanding, pleading. Some voices dominate with microphones and authority, while others whisper, scheme, or desperately attempt to be heard. The painting becomes a dense ecosystem of exchange, where the act of speaking is as important as the act of listening.

 

The exaggerated features and surrealist distortions reflect the fluidity of how we hear what we want, how expressions shift with intent. The figures blend into one another. Their boundaries blurred. Mirroring how influence and manipulation weave through our lives.

 

Despite advancements in technology, we still remain bound to the ancient, primal modes of communication.

the outsiders
A scene comparing cigarette smokers with the addiction of social media. A Realistic Oil Painting by Peter Turner.

​

The Outsiders

Oil Paint on Stretched Canvas

120cm x 92cm

 

    Once a simple pleasure, smoking has been pushed to the margins. Outside of buildings. Away from the crowds. And thrust into the shadows of modern social etiquette. It is no longer just a habit. It has become a symbol of the rigid, rules-based world we live in. Where even personal vices must conform to external regulations. Yet, to the smoker, the act remains deeply intrinsic, almost ritualistic.

    

​

​

retail therapy
A chaotic, multi-layered look at consumer shopping. A Realistic Oil Painting by Peter Turner.

Retail Therapy (Shop Till You Drop)

Oil Paint on Stretched Canvas

120cm x 87cm

​

In this painting, I have endeavoured to capture every facet of the shopping experience. The desirous window shopper. The shoplifter. The charities, symbolised in this painting by the hand with the coin-slot in it. The credit cards that make spending effortless. And the unending aisles filled with products designed for obsolescence. Where the packaging of a product has become more important than the product itself. Where the products we buy are made from the cheapest ingredients that can be sourced. If it could be sourced even cheaper it would. Which means, by default, we're buying and consuming the absolute cheapest Cheapest products that the manufacturers can get away with.

 

The background of this artwork I have painted minimalist to mirror the void that's left behind after the thrill of a purchase fades. 

rush hour

Rush Hour

Oil Paint on Stretched Canvas

107cm x 76cm

​

   Public transport, a supposed equaliser, becomes instead a microcosm of our disconnection. People merging into one another. Yet each remains locked in their own world. Some clutch newspapers, others stare blankly ahead, lost in thought or distraction. They are physically close, yet emotionally distant. Oblivious to everyone else around them. In portraying this, I deliberately blurred the boundaries between individuals. Illustrating how we have become faceless parts of a greater, impersonal system.

 

The tension of deadlines is palpable. Briefcases gripped tightly. Tired eyes scanning unseen clocks. The weight of expectation pressing down on slouched shoulders. And yet, what awaits at the other end of the journey? Another office, another obligation, another race against time that never truly ends.

 

​

The frantic rush hour on Public Transport. A realistic Oil Painting by Peter 'Kus' Turner.
shark biscuits
Surfers sharing a peaceful community away from modern chaos. Oil Painting by Peter Turner.

Shark Biscuits

Oil Paint on Stretched Canvas

168cm x 89cm

 

    In a world consumed by chaos, control, and conformity, the surfing subculture exists as an act of quiet rebellion. Freedom from society’s restrictions and taboos. Shark Biscuits captures this moment of escape. Where the ocean offers a sanctuary from the relentless pressures of modern life. Here, camaraderie replaces competition. And friendships are forged in salt and sunlight.

​

Meanwhile, beyond the dunes, the world goes mad. Driven by greed, division, and disconnection. But here, among the waves, there is only the moment. Just the pull of the tide. The crash of the swell. And the sun sinking into a horizon untouched by human hands.

down the drain

Down The Drain - Welcome To The 21st Century

Oil Paint on Stretched Canvas

150cm x 160cm

 

    In this work, I explore the downfall of modern society. How we, as a collective, have become so distracted by social media and other forms of useless entertainment that we fail to see what's really happening in this world. But who cares..... Do you?​

 

The indifferent drug addict I painted in the bottom left corner serves as a stark representation of this apathy. He exists in a daze, numbed and detached. Much like the broader population. We're anaesthetised, whether by substances, entertainment, or empty political promises.

​

As the world continues its mad descent into chaos, the figures in this composition can be seen in frantic motion, desperate to get away from a society spiralling through a sea of of its own filth - Down the drain. .   .                                                                               

                                        Welcome to the 21st Century

A crowd desperately swirling down a kitchen sink drain. A realistic Oil Painting by Peter Turner.
dinner at the salvo's
The homeless people, eating in a charity-owned food hall. A realistic Oil Painting by Peter Turner.

Dinner At The Salvo's

Oil Paint On Board

61cm x 34cm

 

    Based on my personal experience living on the streets for seven years.    

​We, in our affluent society, move through life in a carefully curated perspective of a wealthy society. Yet the unfortunate, those who live in poverty and homelessness remain, on the periphery of our vision. Present, yet unseen. Their struggles are softened by knowing that there are charities out there to help them.

​

This painting is about those unfortunate people. Forcing us to see what we choose to ignore. 

 

The hidden part of society that we pretend doesn’t exist.

wet dreams
The erotic dreams we prefer to keep to ourselves. A realistic Oil Painting by Peter Turner.

Wet Dreams

Oil Paint On Stretched Canvas

61cm x 34cm

 

    Erotic dreams and sexual fantasies exist in a world beyond our control. Unfolding in our subconscious mind where unfulfilled sexual desires take shape.
 

Within these dreams, there are no such boundaries. The mind roams freely. Constructing narratives that defy logic, morality, or even personal identity. In these moments, we're both the observer and the participant. Tangled in a space where the rational and primal urges collide.
 

This painting aims to expose this hidden realm. To give form to that which is often left unspoken. By translating erotic dreams into tangible expression, we confront the tension between what we crave and what we suppress.

in your wildest dreams
A complex, surreal dreamscape. A realistic Oil Painting by Peter Turner.

In Your Wildest Dreams

Oil Paint On Stretched Canvas

61cm x 34cm

 

    Dreams are a gateway to the subconscious. A place where thoughts, desires, hopes, and fears intertwine without logic or restraint. A place in our minds where anything goes. Here, where reality takes second place, time bends. Identities shift. And the impossible feels as natural as the air we breathe. It is a surrealist landscape. One that is shaped not by conscious will, but by the deeper subconscious, elusive workings of the mind.

 

I have painted the man's hand, desperately holding onto the surreal border of this painting. Unwilling to return back to reality. While the hand of an elusively unseen person kisses him goodbye. Until next time...

​

This painting endeavours to capture that impression that dreams give form to the intangible. It captures the tension between the real and the imagined. Offering us a glimpse into the subconscious mind that we can't access in our waking hours...

the love affair
Woman looking into a mirror against an abstract background. A realistic Oil Painting by Peter Turner.

The Love Affair

Oil Paint On Stretched Canvas

107cm x 92cm

 

    Vanity and self-love exist in a delicate balance. One a necessary affirmation of self-worth. The other a potential descent into obsession, like a trophy hunter collecting trophies, preferably besotted lovers. Such as the man I have painted adorning the woman’s neck with a pink bow tied around his wrists.
 

I have painted the background in a surreal abstract background to mirror the subconscious desire for something more. Something beyond the skin-deep reflections being crafted.

 

Does vanity seek validation from within? Or is it dependent on the gaze of others to confirm its worth?

fallen angel

Fallen Angel

Colour Pencils (Derwent) on High-Grade Art Paper

78cm x 92cm

 

     Based on personal experience living on the streets for seven years.
   

A young girl, who once had dreams of becoming a ballerina now moves to a different rhythm. One dictated by hunger, addiction, and desperation. By the cold asphalt beneath her feet. A prostitute.
 

She's a fallen angel. Her wings clipped by drug addiction. Scooped up by the underbelly of society that heartlessly swallows the lost and the broken like her. There's always one on every corner in every red-light centre of every town or city. Each with their own sad story of broken dreams and shattered hope. Living on the streets, she fades into the neon glow. Another shadow among many...

I have drawn this picture with her shadow and herself reversed, to reflect this tale of misfortune.

Portrait of a girl, representing broken dreams of being a ballerina and becoming a prostitute instead. By Peter Turner.
shadow of his former self

Shadow Of His Former Self

Colour Pencil (Derwent) On High-Grade Art Paper

78cm x 92cm

 

     Based on personal experience living on the streets for seven years.         

 Once, he had a good home. A loving family. A life that meant something. Now, he’s just another shadow on the street. Another unfortunate soul lost in the cracks of society. A homeless alcoholic.
 

The man he used to be? Gone. Drowned in liquor, wasted away with every sip. His dreams? Broken. His hopes? Spent, just like his last cents on another cheap bottle. Alcohol is his only friend now. It numbs the cold. Dulls the hunger. And makes the past feel like a distant story that happened to someone else. But he doesn’t care any more. He’s got his bottle as his best friend.

​

I have drawn this picture of the man and his shadow reversed, to reflect that outlook. A shadow of his former self.

Portrait of an alcoholic man and the unfortunate lifestyle it brings. By Peter Turner.
caught in the act
Portrait of a woman looking into a mirror and secretly looking at you. By Peter Turner.

Caught In The Act

Oil Paint On Stretched Canvas

71cm x 92cm
 

   What this woman is looking into is a real genuine mirror. So that when you, the viewer, looks at this painting you see your own reflection in the mirror. Thus making you become part of the painting. She's looking at you. Your eyes meet...
 

Secret lovers move through the world like shadows. Careful, cautious, always watching. No one knows what they're up to, except each other. Every glance in public is a test. And yet, the fear is what makes it intoxicating. Is it love? Or is it just the exhilaration of the forbidden? The lines blur, the emotions tangle. Living in a world where passion exists only in the shadows. The knowledge that at any moment everything could unravel.

​

Hence the title, 'Caught In The Act'

the new dress
Nude study of a woman looking into a mirror while admiring her new dress to see how it looks on her. By Peter Turnerr.

The New Dress

Oil Paint On Stretched Canvas

80cm x 183
 

   I have painted this piece to show that new-love is like the unknowable. Like the new dress she is trying on for the first time. Hence you, the viewer of this painting, only sees a hint of her reflection in the mirror. It's all new, unknown, hidden. 
 

This love is untouched by cynicism. Unwrinkled by past sorrow. It’s bright, fresh, and untested. But will it conform? Embrace the shape of reality? or will it pinch, constrict, leaving behind seams of longing?
 

First-time love asks no such questions. It simply is. It dances in possibilities. Twirls in naïve delight. It believes in itself.
 

For now, new-love remains just that. Hopeful. Like a new dress, waiting to be worn into a story only time will tell.....

sun lover
Rear view of a nude woman walking on a minimalist beach. By Peter Turner.

Sun Lover

Oil Paint On Stretched Canvas

90cm x 147cm

   

    This nude study is about freedom of expression and our conformity to social taboos. The yellow background represents the sunny daytime atmosphere of complete openness with oneself. The minimalistic blue line representing an outdoor beach scene is meant to capture the hidden sexual aspect of being in the nude.

 

In a world obsessed with appearances, nudity reveals the inner self. Free from artificial coverings or social expectations. Freed of material distractions, a person stands in their true, barest self revealed. Nothing to hide. Nothing to prove. It is a natural form of honesty. A silent but powerful declaration that the body is not something to be ashamed of, but something to be celebrated.
 

While many still view nudity through a lens of shame or impropriety, it remains a deeply personal act of self-acceptance.

​

venus de bitch
Nude study of a woman filing her nails and standing dominantly over a man. A realist painting by Peter Taylor.

Venus de Bitch!

Oil Paint On Stretched Canvas

90cm x 147cm

   

    This painting is a modern day version of 'The Venus de Milo' sculpture created by Alexandros of Antioch around 150-100 BCE, and 'The Birth of Venus' painting created by Sandro Botticelli between 1482 and 1485.

 

Women’s empowerment in a society dominated by men is not just about gaining equality. She's more than just a Venus to look at. More than an object of admiration or desire. She's a force. A leader. A voice that demands to be heard.
 

The empowered woman knows her worth and refuses to be diminished. She stands firm wherever she chooses to be. 
 

To be a strong woman today is to be assertive, unapologetic, and unstoppable. It is to walk boldly, speak confidently, and demand respect.

 

The world is shifting. And she's leading the way....

blue nude
Nude against an abstract blue background, representing blue movies and the unfortunate people acting in them. By Peter Taylor.

Blue Nude

Oil Paint On Stretched Canvas

61cm x 92cm

   

     Based on my personal experience of living on the streets for seven years.    

​

I painted this creation in a semi-abstract way to emphasise the different aspects of the pornography scene, juxtaposed with the different personalities and unfortunate people who star in these shows.

 

Pornography is often sold as a fantasy. But behind the illusion lies a world of broken dreams and shattered lives. It is a hollow entertainment built on the suffering of unfortunate souls, trapped in an industry that exploits desperation.

 

Beneath the glamour of blue movies, there is a darker reality. One ruled over by manipulative figures who prey on vulnerability, and turn people into commodities.
 

What some see as pleasure, is for many of these 'porn stars' a prison. And while the camera may stop rolling, the scars remain long after the final scenes has played out.

a woman never tells
Nude study of a woman against a multicolored abstract background. A realist painting by Peter Taylor.

A Woman Never Tells

Oil Paint On Stretched Canvas

143cm x 92cm

    

​    I painted this nude study in a semi-abstract way to emphasise the different aspects of a woman's shifting moods as she secretly manoeuvrers from lover to lover. Her face is turned away. You don't know who she is. Until you become her next lover...

​

Each lover thinks they are the only one in her life. Unaware of the others who came before. Or those who will come after.

​

Until then, she moves like a shadow between lovers.

burning desire 01
Burning flames in the shape of a woman's torso, with blue surreal background. A realist paint ing by Peter Turner.

Burning Desire 01

Oil Paint On Stretched Canvas

65cm x 91cm

    

​    I painted this nude as part of a matching set of two. One for the day. Which is normally hidden from the the public gaze. It is done in a minimalist way to focus purely on the flames of a woman's desire.

 

This is Number 1 of that set. The day...

 

The blue daylight background represents the carnal desires of a woman. Where social taboos dictate what can be revealed and what must remain hidden. In the daylight, she presents an image of restraint. Her self-consciousness ensuring that her secret yearnings for sexual satisfaction remains hidden beneath the surface. 
 

Society has long demanded that a woman’s sexual desires be kept hidden from view in the daytime. Relegated to the private spaces of the night, or the deep corners of her mind. Of imposed decorum. 

burning desire 02

Burning Desire 02

Oil Paint On Stretched Canvas

65cm x 91cm

    

​    I painted this nude as part of a matching set of two. One for the day. Which is normally hidden from the the public gaze. The other for the night. Where anything goes. Uninhibited. It is done in a minimalist way to focus purely on the flames of a woman's desire.

 

This is Number 2 of that set. The night...

The flaming red background represents the carnal desires of a woman at night. Fully unrestrained from the social taboos that dictate what can be revealed and what must remain hidden.

 

In this night time space, all her sexual fantasies are played out in reality. Not merely imagined but fully realised. Shaped exactly the way she wants. There's no pretence. No restraint. Only the raw expression of pleasure. Unburdened by inhibition.

Here, in the night, she is entirely herself. There is no need to conceal or minimise her hunger. Her pleasure, not a passive, repressed, thing but a fire that consumes and creates her in equal measure.
 

In this moment, she reclaims her body. There is nothing hidden. Nothing denied….

Burning flames in the shape of a woman's torso, with brown surreal background. A realist paint ing by Peter Turner.
Cycling Effect
Minimalist abstract of push bike riders speeding along. By Peter Turner.

Cycling Effect

Oil Paint On Stretched Canvas

150cm x 94cm

​   

    This painting is created in a minimalist abstract way to focus purely on the energy emanating from three bicyclists as they power their way down the road.

​

Like any exercise, even walking, or the energy elicited from using a mechanical device, like a bicycle, is a powerful way to improve overall health and wellbeing. Contributing to both physical and mental health.
 

Beyond the physical benefits of exercise, such as cycling, it plays a role in generating confidence. Setting goals. Pushing through challenges. All contributing to a greater sense of accomplishment. This, in turn, enhances self-esteem and motivation to maintain an active routine.
 

​

laughter in the wind
Happy child laughing in the wind. By Peter Turner.

The Sound Of Childhood Laughter On A Windy Day

Oil Paint On Stretched Canvas

31cm x 31cm

   

    This painting is created in a pointillism minimalist way to focus purely on the laughter of children outdoors as they play freely, innocently, in amongst the wind and the natural world.

​​

Unlike adults, children have the freedom to play how they want. This is something that slowly fades away as we grow older. Society places limitations us. Telling us how to behave. What is acceptable, and what is not. 
 

But children remain unrestrained from societal rules. Allowing them to express themselves fully, without hesitation. It's a time where life is lived effortlessly. In harmony with the world. Untouched by the weight of adulthood.

one last drag
Portrait of a man smoking a cigarette. By Peter Turner.

One Last Drag Before I Quit (Again)

Oil Paint On Stretched Canvas

122cm x 122cm
 

   This painting is about quitting cigarettes and it's insidiously addictive qualities. It's an addiction that's Way worse than heroin. Just not as expensive....I need one!

 

Unlike other 'Drugs Of Addiction' with strict regulations, cigarettes are freely sold in supermarkets, corner stores, and gas stations, etc. These are the drug-dealers of the cigarette industry. Making access incredibly easy and fuelling the addiction.
 

Cigarettes are the Only recreational drug that gives you cancer. Approximately 22000 people around the world die from it Every Day. That works out to be around 900 deaths every hour. Imagine the outcry if some type of disease, virus, etc, had that kind of lethal impact.... Until you flick on the cigarette-lighter and exhale a satisfying plume of smoke. ...Who cares.
 

I've reached the end of my cigarette. This is the last drag. Next time, for sure! ....Yeah, right….

no!! it's mine!
Young children playing in a day care centre. A realist painting by Peter Taylor.

No!! It's Mine!

Oil Paint On Stretched Canvas

107cm x 92cm
 

    I have painted these children merging into each other to show that people are all the same. Yet each one of us is different 

 

Childhood rivalry is often seen as harmless. Children competing over toys. Arguing over games. Or forming small groups against one another. 
 

Yet, what begins as simple disagreements in childhood can grow into something far more destructive in adulthood. The same instincts that drive children to fight amongst themselves evolve into deeper divisions. Shaping ideologies, nations, and warfare. What started off as playful competition turns into person against person.
 

The echoes of childhood conflicts can be seen in the way adults engage with one another. Just as children draw imaginary lines between 'us' and 'them', adults do the same on a grander scale. Waging wars over power, resources, and beliefs.

after ther party
Surreal rendition of bottles with wine glass. A realist painting by Peter Turner.

After The Party

Oil Paint On Stretched Canvas

92cm x 51cm

   

    I have painted these bottles merging into each other as a play on reality once the party is over, with the  wine glass almost empty - Still half full?

​

A party is alive with joy and unselfconsciousness. Where laughter flows freely. And time dissolves in the warmth of shared moments. In this space, the openness of communication thrives. Words spill without hesitation, weaving connections that feel effortless and true. 
 

Yet, as the night wanes, a quiet ache lingers. The unwillingness of a party ending. The unspoken wish to hold onto what is already slipping away. 
 

And when the silence settles, only echoes remain. The empty remnants of a joy gone by, scattered like confetti. A reminder that even the most vibrant moments must fade….

​

Common Blackbird 02
Semi abstract rendition of a blackbird sitting on a brach. A realist painting by Peter Turner.

Common Blackbird 02

Oil Paint On Stretched Canvas

25cm x 20cm

   

    I have painted this creation as part of a matching set of two. The pointillist background is meant to portray the shifting light of the early dawn. The Common Blackbird I have portrayed, is composed primarily of smooth curves, and two colours. My intention here is to capture the moment of pure movement when you observe the fluidity of the bird in motion. In that first instance of time. Before you fully look at it properly and see it for what it really is.

 

This is how we observe most things in life, in our reality. At first a fleeting glimpse of its appearance. And then, if we choose to do so, pay full attention to that observation.

​

Is This what first impressions are all about?

​

common blackbird 01
Semi abstract rendition of a blackbird sitting on a brach, number 2. A realist painting by Peter Turner.

Common Blackbird 01

Oil Paint On Stretched Canvas

25cm x 20cm

   

    I have painted this creation as part of a matching set of two. The pointillist background is meant to portray the shifting light of the early dawn. The Common Blackbird I have portrayed is composed primarily of smooth curves, and two colours. My intention here is to capture the moment of pure movement when you observe the fluidity of the bird in motion in that first instance of time. Before you fully look at it properly and see it for what it really is.

 

This is how we observe most things in life, in our reality. At first a fleeting glimpse of its appearance. And then, if we choose to do so, pay full attention to that observation.

​

Is This what first impressions are all about?

​

finches on parade
Semi abstract rendition of colourful birds sitting on a wire. A realist painting by Peter Turner.

Finches On Parade

Oil Paint On Stretched Canvas

152cm x 51cm

   

    Like finches on parade, we parade ourselves before the world. Each seeking to be looked at. To be admired. In our own finery and fashions, we display who we are. Or perhaps who we wish to be. 
 

But beneath the colours and fabrics, beyond the carefully chosen details, do we find authenticity? Or is this endless display simply the nature of being human?

​

bird songs
Surreal coloured birds talking to each other on branches of a tree. A realist painting by Peter Turner.

Bird Songs

Oil Paint On Stretched Canvas

122cm x 91cm

   

   I have painted these various birds in a surrealistic way to emulate their movements, seen in that quick moment as they move about, to represent people of all different cultures and personalities as they go about their business in a crowded environment.
 

Each has something to say, whether people are listening or not. Just like birds.
 

People talk just to be heard. Simply because expression is an instinct. A natural part of life. Words flit between minds, landing briefly before taking flight again. And whether anyone pauses to truly listen or not, the chatter continues.

rendezvous
Two birds meet each other on branches of a tree. A realist painting by Peter Turner.

Rendezvous

Oil Paint On Stretched Canvas

122cm x 92cm

   

   I have painted these birds in a surrealistic way to represent people as seen in that fleeting moment of meeting together. A quick rendezvous before moving on. Whether it be lovers, friends, a meeting...
 

Private communication unfolds in hushed tones or knowing glances. A language understood beyond words.

 

Yet, this ritual is not bound by place or identity. All cultures and walks of life do these same things. Across the globe people meet, exchange thoughts, and continue on their way. Leaving behind echoes of their conversations, laughter, and unspoken emotions.

the seagull's adventure
A seagull flies gently over the shoreline. A realist painting by Peter Turner.

The Adventures Of A Seagull

Oil Paint On Stretched Canvas

130cm x 92cm

   

   Like a Seagull wandering over the vast expanses of a shoreline, some people seek new adventures. Drifting beyond the familiar in an search of something meaningful. The endless horizon calls to them, just as the bird glides effortlessly above the water. Scanning the world below. There is a quiet longing in the journey. A pull toward the unknown. Where each gust of wind offers a new direction. A new possibility. 
 

Like the Seagull in this painting spreading its wings, these seekers embrace the open unknown. A new adventure…

monarch
lapis
windbreak
A line of trees forming a wind break over bare dry fields. Semi abstract painting by Peter Turner.

Windbreak

Oil Paint On Stretched Canvas

96cm x 94cm

   

  Like a line of trees creating a Windbreak, merging into each other to stop the wind from flowing from one paddock through to the next. Societies exist on more or less the same level. Each community is aware of the other's presence. Yet there is a barrier between them. A wall of cultural differences.

 

I have painted this creation in a minimalist semi-abstract way to reflect this emptiness of communication. The desolately dry fields are meant to emulate this inability to accept each other's societal beliefs. The trees in this painting, merging into each other, is meant to symbolise the fact that despite those differences there is an element of like-minded thoughts amongst our various cultures and societies. Only interpreted in their own way.

 

​

back country
A line of trees viewed from a distance over the hilltops. A semi abstract painting by Peter Turner.

Back Country

Oil Paint On Stretched Canvas

168cm x 92cm

   

  This painting is about our awareness of reality and our limited view of the things surrounding us. I have painted this line of trees on a narrow strip of hillside in it's barest minimalist form to represent the fact that we only see things in the way we subconsciously prefer. Not as they really are, but as we want to see them. Bereft of any real detail. 

 

Reality is shaped by our perspectives and preferences. Like tunnel vision, our view is often limited. Filtering out aspects of the world around us that don’t align with what we expect or wish to see. Yet, to be consciously aware means to challenge these limitations. To step beyond the confines of selective perception. 
 

​

sailing
shoreline in 'd' minor
Surreal abstract of the sea and sand, with two fishes floating over the top. A realist painting by Peter Turner.

Shoreline In 'D' Minor

Oil Paint On Stretched Canvas

139cm x 92cm

   

    This painting is composed in a semi-abstract fashion to portray the peaceful serenity of when our mind is in a state of pure contentment. Like the movements of water on a shoreline, rippling into each other. The fish swimming above represents our lazy serenity as we waft around in complacent satisfaction. The 'D' minor' part of its title is all about the musical resonance of this state of mind.

 

To be at peace with the world and at peace with oneself is a rare yet deeply fulfilling state. A moment to be savoured. It is where the conscious and subconscious play together in harmony. Free from conflict.  

where's the acation
Surreal ball exploding out of the canvas. A realist painting by Peter Turner.

Where's The Action?

Oil Paint On Stretched Canvas

63cm x 63cm

   

In a world filled with obligations, we crave moments of excitement. A diversion from our daily grind.   

 

Our constant search for action, entertainment, thrills, and partying is driven by a desire for happiness. A longing for good times that lift us beyond the routine of daily life.

 

These good time experiences provide an escape. A chance to feel alive. Free from the weight of responsibilities. Yet, is this pursuit of pleasure a true path to fulfilment? Or is it just a fleeting distraction? 
 

Who cares! Let’s Party.

nude in a pool
Optical illusion of a nude woman emanating from a pool and out of the canvas. A realist painting by Peter Turner.

Nude In A Pool

Oil Paint on Stretched Canvas

62cm x 32cm

​

This painting is its actual shape that you see.

___________________

    I have constructed this canvas to give the optical illusion of the canvas leaning back, to give it a '3 D' appearance. The nude woman emanating from the pool symbolises the act of rising from her own self-consciousness. Emerging from the depths of the mind into existence. Her form, delicate yet raw, embodies the fragility of being human. Where vulnerability and strength coexist. As she ascends from the pool in the canvas, reality is exposed. Unveiled of any pretence. Revealing the delicate balance between the seen and the unseen. 
 

The illusion is meant to challenge the viewer. What is truly real? Is our perception merely a reflection of the mind’s own depths?

​

the many facets of a woman
Nude woman sitting against a blue abstract background. A realist painting by Peter Turner.

The Many Facets Of A woman

Oil Paint on Stretched Canvas

153cm x 122cm

​

This painting is its actual shape that you see.

___________________

    I have constructed this canvas in a triangular shape to match sharp semi-abstract shapes within this painting. With the curves of the nude woman merging into those sharp edges and this three-sided piece. Thus making the shape of this canvas a part of the artwork itself. 

 

Each angle tells a different story. Each side revealing a new layer of strength, vulnerability, resilience, and grace. A tapestry of experiences, emotions, and identities.

 

Never one-dimensional. Always evolving. Constantly shifting between the contrasting forces that define her.

​

come on in
People enjoying life on a day at the beach. A realist painting by Peter Turner.

Come On In

Oil Paint on Stretched Canvas

116cm x 86cm

 

    The beach is one of the few places where society momentarily lets go of its burdens. Here, amidst the rhythmic crash of waves and the warmth of the sun, people gather. Not out of obligation, but out of a shared desire to unwind, connect, and momentarily escape the pressures of everyday life. It is a space where human interaction flourishes, blending seamlessly with the natural beauty that surrounds it.

 

This painting is meant to capture the energy of a place where society pulses with life, offering a brief but powerful respite from the harsh realities beyond the shore. It is a reminder that, even in the busiest of spaces, there is always room for connection, joy, and a moment to just be.

                 

bottom of page